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"¡Ay, Dios, ayúdame, que me muero de mambo!"

"Ismael Miranda - Live From San Juan, Puerto Rico",
2001, Universal Music Latino

Reviewed by

 

I love salsa - all kinds, from any country, and from any decade. I listen daily to both the classics, and the very new. This space has been generously allotted to me to give exposure to those talented and deserving musicians who are the ones that are taking this music I love into the future.

It is to these musicians that I offer my humble apology, because more than two months have passed since my last review. Yes, life is complicated, and we all have more things to do than time in which to do them, but this is not the only reason I have taken so long to start writing again. I have another excuse: "Ismael Miranda - Live From San Juan, Puerto Rico".

If salsa is your passion, and you do not yet have this CD, then I have two words for you: "Get it." 

Then I'm sure you'll understand my little vacation into Mambo Heaven.

If you are just discovering salsa (where have you been?), then I have three words for you: "Get it now."

I want you to know from the start, what is great salsa, what is "CLAVE", what is "SONEO" and what is "SABOR"!

"Ismael Miranda - Live From San Juan" is a salsa jewel. Perhaps for me it is, in part, because listening and dancing to it brings back so many memories. The 2-CD set is a recording of Ismael's "comeback to salsa" concert in November, 2000 at the Arena at Pier 10 in San Juan after 5 years of singing mostly boleros. It is mainly a compilation of his major hits of the 70's, and it was during this decade that I first became acquainted with salsa and with Puerto Rico. But this CD is much more than a trip down memory lane. Miranda has been "soneando" (singing salsa lead) for 35 years, and his wonderful tenor voice is still as clear as a bell, and as powerful as when he started. There are some moments when it will pierce not only your eardrums, but also your soul. Listen to the one bolero on the album, "Todo de Mi". It is exquisite.

It must have been wonderful to experience that concert live. Lucky for us, and for the rest of the world, the CD is a close second to being there. The recording is superb - one of the best live recordings I have ever heard. The sound is as crisp and as rich as any good studio recording, but with all the electricity of a live performance. Ismael chats and jokes with his audience, and gives a short historical intro to many of the songs. Then he sings his heart out for his fans, and they in turn, eat it up and beg for more. You can just imagine them dancing in the aisles.

But then, who would not dance to such a phenomenal band? The group of musicians that Miranda has assembled for this performance is SO FINE, that it would be a terrible injustice to mention just a few. Please pay special attention to the list of band members at the end of this review, for these are names you should remember.

All the songs are delivered with "big band" punch, thanks to an especially magnificent horn section, a "sabroso" (full of flavor) piano and tres, and percussion and bass with "clave caliente " (hot afro-latin rhythm) to carry it through to perfection.

In "Mi Mami Me Quiere", the longest single cut, the band really shows it's stuff. Hey, guys! You could have gone on playing for 8 MORE minutes, or maybe 16! After all, this is how you do it on my personal "mambo-mobile" tape recording - 3 sets of "Mi Mami Me Quiere", 2 of the Miranda-Harlow medley, and 1 1/2 "Maria Luisa" 's gets me to work on the worst traffic days with no problem!

I guess you could surmise by my mention of the above 3 songs, that these are my favorites. Well, yes and no - but only because my favorite is WHATEVER song is playing from this CD at any given moment!

"Abran Paso/Revolución/Arsenio" makes me wish that Ismael Miranda and Larry Harlow would get together again (HINT, HINT!) This medley is a great reminder that their collaboration was one of the best, and one of the most important forces in the history of salsa. More than this, the lyrics and the music are as fresh and dynamic as they were 30 years ago. Great salsa is just like any other music - it is timeless.

The singers in Miranda's back-up chorus deserve special mention here; their singing is wonderful throughout the entire CD, but listen to their chords in "Arsenio" - pure heaven!

"Maria Luisa" is, as Ismael says, the one woman who has followed him around for more than 30 years, and it's easy to understand why - I DARE you not to dance your feet off to this one. Any self-respecting salsero or salsera would reach frenzy level by the time the "coro" kicks in… "Mari Bele Bele Bele Bele -- ¡Eso no se le hace a nadie!"

* * *

I have never believed in ratings. I don't like putting tags on things, especially not music. There are so many types and levels of talent out there! You can find real gems, even in a very badly produced CD. However, there are some CDs that you can recognize immediately as the epitome of great music. These are the ones that you know you will never tire of, the ones that will keep you dancing for days, for months, and for years. These are the ones that show the world what is so magically addictive about our favorite music. "Ismael Miranda - Live From San Juan, Puerto Rico" does just that. So I have decided that it's time to break my own rule.

Henceforth, whenever you see this title on a CD review of mine: "Ay, Diós, ayúdame que me muero de mambo." you will know that I have had another extreme salsa attack, and the only way I could get out of it, and move on, was to share it with you!

¡Qué viva la música!

Diane

Ismael Miranda - Live From San Juan, Puerto Rico

Executive Producers:
Ismael Miranda and Gilberto Santa Rosa

Recording Engineer: Ronnie Torres

Musicians:

Charlie Sierra - Timbal
Sammy García - Conga
Richard Carrasco - Bongó
Leni Priete - Piano
Pedro Pérez - Bass
Elías Lópes - Trumpet
Efren Rodríguez - Trumpet
Vicente Castillo - Trumpet
Miguel Rivera - Trombone
Gamalier González - Trombone
Daniel García - Chorus
Wichie Camacho - Chorus
Louis García - Tres & Musical Director

 

This page was last updated on 22-Jan-2005

 


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